The Pickers    (2009)

 

The Pickers    (2009)  

Single Screen Video with Sound
17 minutes 52 seconds

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Reference copy of The Pickers on Vimeo
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The Pickers shows a group of young Romanian migrant workers at a strawberry farm (located between Whitstable and Faversham in Kent). Through Adam Chodzko’s involvement, they temporarily alternate their intensive strawberry picking labour with another form of labour, the editing and mediation of a 20th century film archive that Adam had collected, showing the activities of migrant hop pickers from London.
Sited in a ‘parallel reality’ differences are blurred as to where and when events are set (eg: is this a Romanian video or a British one? Is this a reflection on the past or a glimpse of a future meeting?), as they are between ideas of labour and leisure, the identity of an archive and its mediation, and who ultimately is holding the knowledge (and therefore the power) here? 
The young Romanian strawberry workers (Estera Boguş, Mihai Boguş, Ionuţ Roşu, Remus Bujor) project memories of Ceaucescu’s Romania onto the English hop picking footage. Facial expressions shown in these archival recordings provoke, in the present, comparisons as to the levels of happiness felt by these two communities and cultures. 
Sound is crucial to this work; it actively bridges different spaces (editing room, strawberry farm interior, hop field exterior etc) and its fluid relationship to the visual in the forms of different coincidences, some appearing to be accidental, ‘wrong’, actual, ideal or imaginary. The Pickers erodes certainties as to what is generating the knowledge it appears to offer so that it slowly evolves into a dream; perhaps a Romanian advertisement to British migrant workers to come to Romania?

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The Pickers: Transcription of dialogue

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Klara Kemp-Welch, ‘The Romanians are Coming’.  Labour Migration and the Politics of the Observational Documentary, Third Text, Volume 34, 2020 – Issue 2, Routledge

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The Pickers has been exhibited in exhibitions and festivals, including:

(2010)
 – Whitstable Biennale, Whitstable, Kent.
 – Future Fictions, Latitude Contemporary Art (curated by Ben Borthwick), Latitude Festival.
 – Journeys With No Return, (with Zineb Sedira, Denizhan Ozer etc.)  A-Foundation, London & Galerie Kurt-Kurt, Berlin.*
 – Loophole to Happiness, (with Ciprian Mureșan, Petra Feriancová etc. Curated by Maja and Reuben Fowkes), Trafo, Budapest, Museum of Contemporary Art, Lodz, & Futura Centre for Contemporary Art, Prague & AMT Projects Bratislava
– Cinecity, Brighton festival.

(2012)
– The Beaney, House of Art and Knowledge, Canterbury, Kent
(2013)
– MAP Screen, (with Ravi Govender. Curated by Karen Cunningham).
– How is it towards the East? (with Tessa Brown, Andrew Kötting etc) Calvert 22, London.
 – The Pickers, Galeria Marlborough, Barcelona
 – Assembly: A Survey of Recent Artists’ Film and Video in Britain 2008–2013, (with John Akomfrah, Emily Wardill, Gillian Wearing etc. Curated by Stuart Comer) Tate Britain.

(2015)
– Video Art, curated by Gayatry Sinha, Dr Bhau Daji Lad Museum, Mumbai

(2025)
Thinking in Circles, Od Arts Festival, Great Hall at Coker Court, East Coker, Somerset.

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Related works:

A Hostile Environment   (2019)
Expulsion from the Garden of Eden   (2015)
Great Expectations  (2015)
Nightvision    (1998)
O, you happy roots, branch and mediatrix  (2020)
Same    (2013)
cell-a    (2002)