Expulsion from the Garden of Eden (2015)
Single screen video with sound
14 mins 33 seconds♦
Reference copy of Expulsion from the Garden of Eden on Vimeo.
♦Japan’s Beppu’s “Mixed Bathing World” festival expresses an ideal, utopian innocence about the nakedchuman body within a communal space. Perceiving this cultural understanding through the tourist gaze of his positionality as a Western artist, Chodzko attempts to map these perspectives onto the visual differences between two found postcards, (one bought in Henrico, Virginia, USA the other from Tampa Florida, USA), wondering what those disparities might imply.
Both postcards are based on the same source photograph from 1963, showing a group of people passing through a Beppu arcade. One is a Black & White image which includes girls looking at something, out of the left of the frame in the foreground. The other is a hand-coloured version of the same image, but here, cropping out these girls and inventing parts of the image that became ‘exposed’ from the space where they had been standing. For Chodzko this revision casts doubt about the ‘truth’ of the original photographic moment and catalyses suspicion about the motive for this erasure (wilfully ignoring that these alterations might, of course, just be an aesthetic decision; an “update”).
In an attempt to make sense of these transformations the whole picture becomes slowly deconstructed through its re-enactment by a group of local participants in Kannawa, Beppu, that Chodzko assembled. Together, through conversation, they reflect on the interior psychology of the image and the community it portrays. Ideas of innocence, shame and a banishment from an ideal space evolve through their discussion. Beppu’s geothermal steam becomes a symbolic form of emotional release and a relentless ‘absolute knowledge.’ Apparently, in response to its power, we witness futile human attempts to channel and control this energy.As with many of his works (eg; Pyramid (2008), Because… (2013), Great Expectations (2015), and jengkuan (2023), etc) Chodzko follows the path of a peculiar, aberrant logic that seems to linger in the everyday to discover and evolve its potential wider meanings and future implications.
Related works:
Channel, Rupture (2015) [ exhibition, Beppu, Japan, 2015 ]
Somewhere Else, In Order to Complete Them (2015)
Our Host Postponed the Drinks Until After the Storm (2015)
Here (2015)
Sketch for Our Host Postponed the Drinks Until After the Storm (2015)
Sketch for Here (2015)
Sketch for Channel, Rupture (2015)
